(God’s Sonnet by timothy j. verret; “it’s how i cope to hope [BOTH] as i have received and believed Him as EVERYTHING in LOVE this daily leavened bread.”)
(God’s Sonnet by timothy j. verret; ‘it’s how i cope to hope [BOTH] in no serving of my filthy flesh [GO VEGAN!] but only serving God through Jesus Christ [GO VEGAN!] this daily leavened bread.”)
(a “loving is enough” film review by timothy j. verret)
It’s not just that WEST SIDE STORY is, in my humblest opinion, the greatest musical ever filmed. It’s also because it’s the greatest love story ever told through song and choreography (BOTH). And the film is also Biblical, for Maria (by the way, a pretty Biblical name) says to Tony as he is dying in her arms, “Loving is enough.” Why would that be Biblically enough? “And faith, hope and love, these three remain….and the greatest of these is LOVE” (1 Corinthians 13:13).
WEST SIDE STORY “danced” away with every Academy Award you can think of the year it “danced” into our spirit. Best Picture? Check! Best Supporting Actor, George Chakiris? Check! Best Supporting Actress, Rita Moreno? Check! Best Original Musical? Duh…check! The “west side story” is a timeless one, an adapted musical one from William Shakespeare’s play, ROMEO AND JULIET. It’s one about two lovers, Maria and Tony, from opposite sides of the gang track who fearlessly cross over that track to a tragic gang “crash.” But “loving is enough,” and so is their love timeless enough and certainly never to end, not enough and not ever. Maria is Puerto Rican, Tony is Caucasian, but “loving is enough” knows no borders of race, class, religion, sexual orientation, etc. Love is just love, and “loving IS enough.” If this love was enough for Maria and Tony, it certainly is enough for all of us.
What happens in the exquisite and elevated (BOTH) choreography by Jerome Robbins in this film is the actors/dancers jump to the skies and stars enough. I believe they dance high to rise above the confines of a race struggle. The Sharks dance high. The Jets dance high. And yet no matter how high they dance, they have to come back down. And it’s when they come back down that they are back down to the confines of their race struggle. It’s not lost on me that it is high on a balcony that Maria and Tony sing about their love, wanting “Tonight” and wishing for a better tomorrow. And that better tomorrow never comes. The struggle of Maria and Tony to love without borders actually borders on the inhumanity of those who say loving is not enough. How inhumane is it to tell two people in love that their love is not enough? How humane it is for Maria to hold Tony dying in her arms and sing, “Somewhere, there’s a place for us.” These are two people who loved, knew “loving was enough,” and knew this “somewhere” was singing and dancing (BOTH) high above the confines of a race struggle. As it was sung, “when love comes, there is no right or wrong, your love is your love,” I’m gonna get pretty Biblical with that lyric line, appropriate enough to raise and praise (BOTH) an “AMEN!”
Natalie Wood plays Maria and Richard Beymer plays Tony, but it’s really George Chakiris as Bernardo and Rita Moreno as Anita who really shine in this film, especially Moreno. Anita is in love with Bernardo and after a final rumble that kills BOTH her Bernardo and Tony’s Riff, the gang leader of the Jets, she is the one who can look pass her grief and see Maria in her desperate love of enough for Tony. Moreno plays all of this grief with such truth and such heart that she practically “leaps” off the screen, even when she’s not dancing. A most well-deserved Oscar for Best Supporting Actress! The acting all across the songs and choreography is universally exceptional in this film, and the music and lyrics by Stephen Sondheim….well, it just doesn’t get any better than this. Every song is sung aggressively and tenderly (BOTH). I’ve had this soundtrack memorized since I was a young one and, as an old one now, I still have not forgotten any of the songs’ lyrics on this most recent viewing (if only I could whistle enough like those Jets 😒).
There is one song and one choreography in particular I want to highlight enough, and that is “Cool.” You can watch it here:
The reason I want to highlight enough this one is because this one is more than enough needed to live at this current time in our lives. We all need to “cool, boy, real cool” with what we are all facing. Whether “west” or east, north or south, we gotta get “cool” enough about the difficult and turbulent times here and ahead (BOTH). Watching this song and this choreography for this recent viewing of the film, I was struck by its intense anger carried out in song and dance. All the Jets were about to “blow,” and it was this song and their choreography that gave them a healthy outlet for their intense anger. I know all about intense anger, and I might need to take this song and their choreography to heart every time I go out into the streets to be “cool, Timothy, real cool.” Will that be “cool” enough?
It’s all the talk now that WEST SIDE STORY has been filmed by director Steven Spielberg, due to come out at the end of this year. My first response to hearing this, and I am quite sure I am not alone in this response, was: “Are you kidding me? How in the world are you going to top 1961’s WEST SIDE STORY? How can it be enough?” But if I know Spielberg’s films like I know Spielberg’s films, it’s sure to be enough of a stunner and sure to get me immediately in the seat to view it. There are not too many films I feel the desire to see the minute they come out, but this one is going to be one of those films. I do hope it’s great enough, I do hope it’s memorable enough, but I don’t hope that it ever takes away enough of my love for the 1961 film that has then and now (BOTH) brought to me more than enough. And what is it that this film has then and now brought all of us enough?
“LOVING IS ENOUGH!”
And Biblically, once again, appropriate enough to raise and praise (BOTH) an “AMEN!”
(God’s Sonnet by timothy j. verret; “it’s how i cope to hope [BOTH] to Wait! by Good God faith, not my fate, this daily leavened bread, for soon His Home.”)
Wait! God is doing something good through you.
Wait! God’s Doing through Goodness your good strength.
Wait! God is planning something good in you.
Wait! God’s Planning in Goodness your good length.
(God’s Sonnet by timothy j. verret; “it’s how i cope to hope [BOTH] to go to the Son’s Cross of Calvary to have mine breaking, shattered, aching, tattered, crushing, shredded, gushing, and dreaded [filthy and a “faint spot”] heart Healed by ‘MINE,’ the Healing Heart of Jesus Christ, this daily leavened bread.”)
If you had no heart, would it be breaking?
If you had no heart, would it be shattered?
you have a heart. God will heal it aching.
you have a heart. God will heal it tattered.
If i had no heart, would it be crushing?
If i had no heart, would it be shredded?
i have a heart. God will heal it gushing.
i have a heart. God will heal it dreaded.
“If they had no heart, would I want it MINE?”
asks Jesus. “I will heal it for My Heal.
their heart will Heal with MINE when it Align.
their heart will Heal with MINE when they Appeal.”